→

• Personal lecture at Stanford University “The Resilience of Ukrainian Cyrillic: A Journey from Past to Present“ (2025, Stanford University, USA, in person)

• Workshop on Ukrainian Cyrillic Lettering at Stanford University (2025, Stanford University, USA, in person)

• “The Sound of Fonts“ lecture for Kultura School (2026, online, UA)

• Personal lecture “Designing a modern typeface based on Ukrainian Cossack Baroque heritage“ (2025, Typographic Society Austria, Vienna, in person)

• Talk at Face/Interface 2025 “Ukrainian Cyrillic: Research-Based Typeface Inspired by Cossack Baroque Heritage” (2025, Stanford University, USA, online)

• Talk at ATypI Paris 2023 “Ukrainian type design: roots, identity, modernity” (2023, Paris, FR, in person)

• Personal lecture “The Sound of Fonts“ independently organized, for ArtiYa & for Wix (2025, Kyiv, Ukraine, in person)

• Talk “Render The Roots: Our Background Lives in Our Design“ at Co:Create Conference by Wix (2026, Kyiv, Ukraine, in person)

• Workshop on experimental Ukrainian Cyrillic hand lettering at the Dysarium Conference (2025, Lviv, Ukraine, in person)

• Workshop on experimental modular type design: a three-day program “Font and Music: From Idea to Album Cover” for Ninja School (2025–2026, online)

• Talk at Typographics NYC 2023 about the Ukrainian Letters (temporary) Museum (2023, NYC, USA, online)

• Personal lecture on Ukrainian type design for RGD (2024, Canada, online)

• Talk on Ukrainian type design and work in wartime for TypeLab (2022, NYC, USA, online)

• Public talk on modern Ukrainian type design at the International Book Arsenal Festival (2021, Kyiv, UA, in person)

• Workshop on Ukrainian Cyrillic (2022, Weimar, DE, in person)

• Personal lecture on Ukrainian Type Design in the Museum of Printing and Typography (2022, Weimar, DE, in person)

• D&AD Award 2025 Wood Pencil / Klynok typeface

• TDC70 Award of Typographic Excellence 2024 / UKRAINIAN LETTERS (temporary) MUSEUM

• SILICON Stanford Practitioners Program fellowship winner 2024–2025

• Work acquired for the permanent collection of the Victoria and Albert Museum (V&A), London

• Judge of TDC69 Competition by Type Directors Club 2023 / Type Design category

• Judge of the Young Guns Competition 2024

• Judge for the proposals of ATypI 2026 conferences in Stanford and Sharjah

• Red Dot Design Award 2021 / Brand Design Relaunch / Shevchenko National Prize identity

• Red Dot Design Award 2021 / Cultural Institution Brand / Shevchenko National Prize identity

• Adobe Creative Residency Community Fund recipient 2022

• Sabre Awards EMEA & IN2 Sabre Awards 2022 / Certificate of Excellence & Best in Identity Branding / Filter Project

• Ukrainian Design The Very Best Of Award 2020 / Misto font

• Ukrainian Design The Very Best Of Award 2019 / Krupa UI/UX Conference Promo Titles

• You can’t be silent: how designers are rallying in Ukraine / Article for Design Week (2022)

• About my experience, work during the war, Ukrainian type design, and judging at TDC69 / Interview for Type Directors Club (2023)

• Shapeshifting type system inspired by Ukrainian Cossack Baroque heritage / Research and process book (ESAD Amiens, 2023–2025)

• Tools of Resistance: Ukrainian typographic heritage in contemporary context/ Article for the book “Alphabettes Soup: Feminist Approaches to Type“ (2026)

• Ukrainian type design heritage in the modern context / Article for Alphabettes (2022)

• Ukrainian design community in the times of war and russian invasion / Interview for Design by Women (2022)

• A bold frontier: designers leading the indie type revolution / Interview for It’s Nice That (2022)

• Typeface Homage to the City That Provided a Safe Haven After Chornobyl / Interview for AIGA Eye on Design (2019)

• Misto: A Loveletter to Slavutych — in discussion with Kateryna Korolevtseva / Interview for Femme Type (2019)

• How I created the museum of art of Ukrainian letters in Weimar / Article for Telegraf (2022)

• Rebranding case of the legendary Green Theatre in Odesa / Article for Telegraf (2022)

• How to create the first font in 1.5 months / Article for Telegraf (2019)

• Work acquired for the permanent collection of the Victoria and Albert Museum / V&A, London (2026)

• Global Type: Around the world via 100 foundries showcasing the power of the letterform / Report by It’s Nice That (2023)

• Morisawa Inc. Collaboration / Typographic art calendar (Japan, 2024)

• Seed pods of democracy / Poster collaboration with the Korea Democracy Foundation, the Design History Society of Korea, and the National Museum of Korean Democracy (2024)

• Typodarium 2025 (featured with 3 typefaces) / Typographic calendar by Verlag Hermann Schmidt (2025)

• Slanted Magazine Issue #43 — Ukraine / Slanted Magazine (2024)

• Re-imagine Bizarre Type / Book by Sendpionts (Hong Kong, 2022)

• “Ukraine Rising. Contemporary Creative Culture from Ukraine” / Book by Gestalten and Creative Publishing (2023)

• Slanted Magazine Issue #40 — Experimental Type & Experimental Type 2.0 / Slanted Magazine (2022)

• NeighboursArt charity project and book in support of Ukraine / Neighbours Book (2022)

• IdN v26n3: Typeface Design Issue — Much More Than Mere Words / IdN Magazine (2020)

• BigBig Brand Identity case / World Brand Design (2022)

• How Ukrainian creatives celebrate their cities with typefaces / PAGE Magazine (2022)

• Posterzine issue 56 x Femme Type x People of Print / Posterzine (2020)