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Kateryna Korolevtseva
Projects
Featured
About
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Kateryna Korolevtseva
Projects
Featured
About
Contact
Projects
Featured
About
Contact

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  • • Talk at Face/Interface 2025 “Ukrainian Cyrillic: Research-Based Typeface Inspired by Cossack Baroque Heritage” (Stanford University, USA)

    • Talk at ATypI Paris 2023 “Ukrainian type design: roots, identity, modernity” (Paris, FR)

    • Talk at Typographics NYC 2023 about Ukrainian Letters (temporary) Museum (NYC, USA)


    • Personal lecture on Ukrainian type design for RGD, 2024 (Canada)


    • Talk on Ukrainian type design and work in wartime for TypeLab 2022 (NYC, USA)


    • Public talk on modern Ukrainian type design at the International Book Arsenal Festival (Kyiv, UA)


    • Personal lecture on Ukrainian Type Design in the Museum of Printing and Typography (Weimar, DE)


    • Lecture for Prjctr “Feeling, perception and letters” (Kyiv, UA)


    • Lecture for Prjctr on mental health and work-life balance (Kyiv, UA)

  • • You can’t be silent: how designers are rallying in Ukraine / Article for Design Week (2022)

    • About my experience, work during the war, Ukrainian type design, and judging at TDC69 / Interview for Type Directors Club (2023)

    • Ukrainian type design heritage in the modern context / Article for Alphabettes (2022)

    • Ukrainian design community in the times of war and russian invasion / Interview for Design by Women (2022)

    • A bold frontier: designers leading the indie type revolution / Interview for It’s Nice That

    • Typeface Homage to the City That Provided a Safe Haven After Chornobyl / Interview for AIGA Eye on Design

    • Misto: A Loveletter to Slavutych — in discussion with Katerina Korolevtseva / Intreview for Femme Type

    • How I created the museum of art of Ukrainian letters in Weimar / Article (UA) for Telegraf (2022)

    • Rebranding case of the legendary Green Theatre in Odesa / Article (UA) for Telegraf (2022)

    • How to create the first font in 1.5 months / Article (UA) for Telegraf

  • • TDC70 Award of Typographic Excellence 2024 / UKRAINIAN LETTERS (temporary) MUSEUM

    • Judge of TDC69 Competition by Type Directors Club 2023 / Type Design category

    • Judge of the Young Guns Competition 2024

    • Red Dot Design Award 2021 / Brand Design Relaunch / Shevchenko National Prize identity

    • Red Dot Design Award 2021 / Cultural Institution Brand / Shevchenko National Prize identity

    • Sabre Awards EMEA & IN2 Sabre Awards 2022 / Certificate of Excellence & Best in Identity Branding / Filter Project

    • Ukrainian Design The Very Best Of Award 2020 / Misto font

    • Ukrainian Design The Very Best Of Award 2019 / Krupa UI/UX Conference Promo Titles

  • • Global Type: Around the world via 100 foundries showcasing the power of the letterform / Report by It’s Nice That (2023)

    • Morisawa Inc. Collaboration / Typographic art calendar (Japan, 2024)

    • Seed pods of democracy / Poster collaboration with the Korea Democracy Foundation, the Design History Society of Korea, and the National Museum of Korean Democracy (2024)

    • Typodarium 2025 (featured with 3 typefaces) / Typographic calendar by Verlag Hermann Schmidt

    • Slanted Magazine Issue #43 — Ukraine / Slanted Magazine (2024)

    • Re-imagine Bizarre Type / Book by Sendpoints (Hong Kong, 2022)

    • “Ukraine Rising. Contemporary Creative Culture from Ukraine” / Book by Gestalten and Creative Publishing (2023)

    • Slanted Magazine Issue #40 — Experimental Type & Experimental Type 2.0 / Slanted Magazine (2022)

    • NeighboursArt charity project and book in support of Ukraine / Neighbours Book (2022)

    • IdN v26n3: Typeface Design Issue — Much More Than Mere Words / IdN Magazine

    • BigBig Brand Identity case / World Brand Design

    • How Ukrainian creatives celebrate their cities with typefaces / PAGE Magazine (2022)

    • Posterzine issue 56 x Femme Type x People of Print / Posterzine

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© Kateryna Korolevtseva, 2025